A while back, my friend Lucas Turnbloom, cartoonist of Imagine This, came up with a really great character: Do’Raath, The Klingon Barista. Do’Raath works at Starbucks and serves up lattes, mochas and cappuccinos…with honor!

Do’Raath isn’t a regular character in Imagine This (he only appears from time to time) but he never fails to crack me up. Below is one of my favorite Do’Raath strips. Other Do’Raath appearances are: Here, and here, and here.

And if you have never read Imagine This, do yourself a favor and go through the archive. It’s a very funny strip.
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Cartoonist James Sturm wrote an article for Slate Magazine about his experience submitting to The New Yorker for the first time. The piece is titled “How Hard Is It to Get a Cartoon into The New Yorker?” and it’s an excellent read. He includes the cartoons he submitted (all of which are good and a few are very funny). Here’s one that cracked me up: 
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One reason the article is such a great read is that Sturm isn’t a gag cartoonist. He simply wanted to shake things up, try something new, and see if he could get his work published in the most prestigious venue for gag cartoonists. Hey, why not shoot for the stars? Sturm eventually gets a face-to-face meeting with cartoon editor Bob Mankoff. Did he sell any of his cartoons? Read the article to find out. One thing I found very interesting — shocking, actually — is that David Sipress submitted for 25 years before he sold a cartoon to the magazine. That’s dedication.

I’d be lying if I said I had no interest in getting my cartoons published in The New Yorker. I’d be willing to bet that most, if not all, single panel cartoonists would love to have their work appear the magazine, just to say they accomplished the feat. In the article, Sipress says, "If you are a gag cartoonist and after a while you are not in The New Yorker, you begin to feel like a failure.” I think there’s some truth to that.  It’s like being an avid mountain climber not summiting Mount Everest. 

When I was just starting out as a cartoonist, in 1993, I submitted a batch of cartoons to The New Yorker. They were literally the first 10 single panel cartoons I ever drew—and I submitted them to the Mount Everest of gag cartooning. What was I thinking? Well, I was clueless about the prestige of The New Yorker and delusional about the quality of my cartoons. Of course, a few weeks later my work was rejected. On the first page of the submission package was a handwritten note. It read, "We’ll have to pass as these aren’t New Yorker material." (Biggest understatement ever!) They wrote something else, which was semi-encouraging (“keep it up” or “keep drawing” or something similar). Bob Mankoff wasn’t the cartoon editor back then, but whoever it was certainly didn’t need to take the time to write a handwritten note on my amateurish submission.  In Sturm's article, Mankoff mentions that he receives so many submissions that are “not even in the neighborhood.” The cartoons I submitted in 1993 weren’t even in the same country.

Over the past 18 years, I've accomplished some things I'm proud of in the field of cartooning. But I still don’t feel like my cartoons are in the neighborhood of The New Yorker. (I'd like to think they’re in the same zip code, though.) One day, I want to have at least one of my cartoons grace of the pages of the magazine. I’ve noticed that, over the past few years, Mankoff has been including cartoons that don’t really have the traditional New Yorker look—there’s been more diversity in humor and drawing style, which gives me hope.

So I guess I’d better start submitting. After all, it took Sipress 25 years. It may take a while, but I think I can get to the top of Mt. Everest. In the meantime, I’m having fun climbing.
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My friend Fritz Wall, a fellow single panel cartoonist, emailed me the other day asking for some quick feedback on a sketch. I loved his idea — my only constructive criticism was that the baby’s name he used was too unusual. I suggested maybe changing it to “something else more 'common' - like Allison or Alex or any other name that people are used to seeing. Otherwise it might trip people up while reading it.”

Fritz took the advice to heart and said he’d change it to Skip. Instead he ended up using another name.

I guess it’s fitting. This kid has almost as much hair as I do.  Well done, Fritz!
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Geek Papas 07/12/2011
 
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A few friends of mine just launched Geek Papas - "a site and a podcast aimed squarely at proud geek parents who have unbridled passion for their kids and want to share their lifelong love of all things Geeky with them.  We are movie buffs, comic collectors, cartoonists, musicians, artists, sports fans, and more." 

Justin Thompson (cartoonist of “Mythtickle”), Tom Racine (cartoonist and host of the excellent podcast Tall Tale Radio) and Irma Eriksson (cartoonist of “Imy”) have joined forces to create Geek Papas. Check it out!
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A friend of mine, Mike Witmer, is the creator of a hilarious strip called Pinkerton. It features four main characters—Tucker (a rabbit), Buckley (a fox), Steve (a guinea pig) and Martin (a moose)—who live in a national park called Pinkerton Park.

I’ve been following Pinkerton since it first began almost exactly four years ago. Today is strip #600 – quite a milestone. Go read Pinkerton and have a good laugh.

Congratulations Mike!
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This week Tom Racine of Tall Tale Radio interviews Scott Hilburn of The Argyle Sweater, one of my favorite single panel features. Mike Witmer (cartoonist of the hilarious Pinkerton) and I are also on this show. Scott talks about his journey to syndication and answers all the questions he gets about his comic’s similarity to “The Far Side.”  
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We all discuss how we work and cartooning in general. Tom, Scott, Mike and I all had comics on Comics Sherpa around the same time, so we talk about our experiences with that as well.  Good times. Listen to the show here.
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Tim Whyatt 12/17/2008
 

You've probably seen Tim Whyatt's cartoons on greeting cards. His work is excellent -- a good combination of silly and edgy. He's one of my favorite single panel cartoonists. Check out his stuff!

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